Quicktime movie, 3.72mb, 1m 40s playing time
1000 frames, 3h 40m, ~13s between frames my neighbors deck, looking north
February 22, 2007
This time lapse was shot before, during, and after the passing of a rain front. See if you can tell when the rain starts. The most interesting thing to follow are, of course, the clouds, which change direction & speed. The clouds really get moving on the backside of the front.
I hope you like the new, inline quicktime movie presentation.
I’ve recently discovered an obscure kind of photography, Shift/Tilt Photography. By using a lens that can shift laterally as well as tilt the lens elements, some very interesting effects can be achieved.
Shifting the lens laterally has the effect of keeping the edges of a vanishing object stay parallel. Buildings or door frames often suffer from this, here is an example of this vanishing effect. This happens because the film is not parallel to the plane the parallel vanishing lines define. Conveniently, wikipedia has some nice graphics showing that the goal in shifting the lens is to keep the image plane parallel to the object while also keeping the image on the film.
Another attractive ability of a shift/tilt lens is shown below. By tilting the lens, the sides of the shot can be brought out of focus in creative ways. There is a stripe of the photo which is in focus, and on each side the image is out of focus. Obviously, by rotating and shifting the lens, the location of the stripe can be moved on the image.
At first glance, this image above looks like it’s of a scale model. It is in fact not a model, rather it’s an aerial photograph (or from a tall building) using a shift/tilt lens. Here are more examples of this kind of photography from the same site. I’m fairly certain that these “the bitter* girls (place in your life)” (#) photos have been photoshopped to enhance the colors because they look just too saturated to be real. This has the effect of making things look more like a scale model with clean, unweathered paint. I think there’s also been some down-sampling because even where the photo is in focus, there’s not very much detail.
Through extensive searching online, it seems the widest variety of shift/tilt lenses are Russian-made. Here are a couple lenses which claim Minolta compatibility: MC 35 mm ($600) and MC 80 mm ($400) tilt/shift lenses. If any of you are feeling particularly generous, go ahead and buy me either lens. If you’re feeling especially generous, buy me both!
(#) The Japanese are weird. I can’t even imagine how that makes sense in Japanese. Perhaps it’s mangled English for the sake of mangled English.
I promised several of my faithful readers multimedia of my new E-Flite Blade CP in action, so here it is. Below is a short movie showing my lack of skills. In my defense, I didn’t crash and it was windy today (you can hear the wind on the microphone). When I first started flying the Blade CP, I definitely would have crashed the helicopter in wind like this.
The Blade CP is an electric helicopter with separate main and tail motors. It features Cyclic/Collective Pitch Mixing that uses three servos which move in concert to raise and tilt the swashplate. The swashplate is connected to a flybar, which is then connected to the main rotors. This is called the Hiller control mechanism. The electronic throttle is linked to the collective, so as the throttle increases, the overall pitch of the blades gets steeper. The helicopter also features a gyro that helps keep the helicopter stable and pointing in one direction (yaw). If I get proficient enough with the helicopter, I can upgrade several parts which will enable aerobatic & inverted flying.
Below is a little animation that I made yesterday that shows what I have been doing lately. The green dots correspond to the positions of dark matter particles, while the little yellow squares are the locations of dark matter haloes that I’m interested in. The white lines are the edges of the simulation volume, and you can see the axes triad in the bottom-left corner. To give you an idea of the scale of what’s depicted here, each edge of the cube is 50 Mpc, or 163 million light years. Our entire galaxy is only about 20 kpc or 65,000 light years across.
In the first part of the movie, the cube is rotated about its center. Next, while looking along the z-axis, the volume of the cube plotted is reduced until only 1/10th of the cube is shown. Then, this 1/10th thickness is scanned through the entire cube, and then the volume plotted is replenished back to full.
The things to notice are how the dark matter form areas of high density, which are connected by filaments. Between these are areas of relatively few particles, which are called voids. This is how our universe really looks, with huge collections of galaxies clustered together, separated by huge expanses of nearly empty space. I should point out that there are many more galaxy haloes in this box besides the yellow boxes.
What I was looking for was one of those yellow boxes which is fairly isolated from areas of high density dark matter. I picked one, and now I am doing this same simulation again, but with higher resolution boxes centered on the area of interest. The simulations I’m doing right now are fairly cheap (in computer time currency). I want to be sure that when I run big, time-intensive simulations in the future that I’ve picked a good area to focus my attention on.
I did this visualization with Visit, a stereo, 4D visualization tool out of the Livermore National Lab. The ‘stereo’ means that it can create two images of the same data that are slightly offset, which create a 3D effect if viewed correctly. The fourth dimension is for time, as it can handle time-ordered data sets. I then used Visit’s Python scripting features to output 800 individual PNGs, which I then stitched together (exactly like my time lapse movies) to make this movie.
Quicktime Movie, 7.44mb, 3m 1s playing time Larger Version (worth the wait!), 42.83mb, 1000×655 pixels
1087 frames, 3h 36m, ~12s between frames
music: Comfort Eagle, by Cake SERF building roof looking west
February 1, 2007
I would have liked this time lapse to cover more time, but the internal camera battery died because I didn’t fully charge it. I did have my external battery plugged in, but the camera cannot run off that alone. Also, since these images are very complex, even JPEG compression cannot reduce their size too much, and I nearly filled my 1gb card. For example, my previous time lapse project, Airport Sunset, I took over 600 more photos than this time. The difference is those frames had nearly half devoted to the sky.