The #4 album this week is the solo debut of Raekwon, a founding member of Wu-Tang Clan. Like the last album I reviewed by a Wu-Tang Clan member, my summary is that while I recognize that Only Built 4 Cuban Linx... is an important and well-regarded rap album, it's not my preference. I will almost certainly never listen to it again.

I'm a few days late on this review. Oh well!

There's only one song off the #1 album this week worth listening to: 1st of Tha Month. It's one of the songs I play to wake up anyone who needs waking up. My last.fm play history has only one play after 10am, and it was when I listened to this album for 30 Years On. It's fun that even after 30 years the overall last.fm play history for the song shows a spike in plays at the beginning of each month:

My advice is to ignore the album, but 1st of Tha Month is forever.

Released four months after Selena's murder, Dreaming Of You shot to #1 upon release. I remember being aware of her murder from the news when it happened, but that really was the extent of my knowledge of her and her music.

The only interesting thing I can say about this album is that the single song I recognize is in Spanish, not English. It's Amor Prohibido, which originally appeared on her 1994 album of the same name, and therefore isn't really off this album.

I have no strong feelings about this album. I'll almost certainly never listen to it again.

I'm dismayed to discover that as of this writing there is no harmonica emoji. This feels like a huge omission and should be rectified with great haste. If there was a harmonica emoji, I could visually represent what it's like to listen to Blues Traveler by inserting it in this text. Instead, I'll have to make do with the musical instrument emoji we do have, and you'll have to imagine it's a harmonica.

Released in September 1994, four by Blues Traveler 🎸 is at #9 this week, one spot lower than 🪗 it will eventually peak at #8. If you were alive in 🥁 the mid-90s you will remember that 🪈 the two big singles off this album, Run-Around and Hook, were everywhere on the 🎹 radio to the point that I got a bit tired of them.

Thirty years later I am 🎻 not as bothered by the songs. I think 🎷 Blues Traveler is fine; their music 🎺 feels very much of the era in the mid-90s, along with Dave Matthews Band and Hootie & 🪕 the Blowfish. Blues Traveler wasn't my 🪘 favorite band at the time, and that 🪉 hasn't changed. I don't dislike their 🪇 music, and sometimes I'm in 🪕 the mood for it, but 🎸 not often. In summary, if 🪇 you're in the mood for 🪉 to Blues Traveler, this is 🪗 the album to listen to.

The top un-reviewed album this week is not The Woman In Me by Shania Twain at #7, it's the Batman Forever Soundtrack at #5. However, I cannot find the full album on any streaming service. Many of the songs can be found on other albums, but not all, and I don't care enough to look any harder than that. Therefore, it's Shania Twain's debut album we'll listen to this week!

One of my favorite television shows is (the first three seasons of) Arrested Development. One of the characters, Tobias Fünke, wrote a book called The Man Inside Me. I can't help but think of that book, which is used in various funny ways, when I read the title for this album. This is not a complementary thing for the album.

Reading Shania Twain's Wiki page, it turns out that she's married to the ex-husband of her former best friend who had an affair with Twain's first husband. All that's missing from that soap opera is an evil twin, babies switched at birth, and someone appearing (with convenient dramatic timing) previously believed to be dead.

I have no strong opinions about the music on the album itself. It sold quite well, and I can believe that many people like it, but it's not for me. I'll almost certainly never listen to it again.

This week's #5 album is just one of Neil Young's 55 studio albums. While I like some of his work, such as After the Gold Rush and Harvest, I am not a big enough fan of his to listen to all of his work. As far as I can recall, I have not heard any of the songs on this album prior to today.

Apparently this album was recorded with Pearl Jam. I didn't learn this fact until after I listened and I couldn't have guessed it. I guess it's kind of grungey, but only if you think to listen for it.

Doing this project I've noticed that albums like this, made by musicians past their prime, have very short periods near the top of the charts. My guess is that because they were so well known, a fixed set of fans will always buy a copy as soon as it comes out. However, because the fan base isn't growing, there's no long tail of purchases. Many albums in the top sales list have been in the charts for a year or more. In one month, Mirror Ball will drop to #48, and in two months to #96, almost out of the listing entirely.

As far as this album goes, it's decent. According to this ranking, it's his thirteenth best album, which makes it above average. That list puts After the Gold Rush and Harvest at #1 and #2, which, duh. I guess if you are really into Neil Young you could do worse than Mirror Ball.

By 1995 Michael Jackson's popular image had already been damaged following the 1993 child sexual abuse allegations. Nevertheless, he was still a huge star and HIStory: Past, Present and Future, Book I shot to #1 upon release. This is a double album: the first half is a greatest hits collection and the second half new material.

I'm pretty sure I have heard all the songs in the first half before. Jackson had thirteen songs hit #1 which alone is enough for a greatest hits album. As a greatest hits collection the first half of the album works well and is a good way to listen to some Michael Jackson, if you're in the mood.

Regarding the second half of the album, I can honestly say I don't think I've ever heard any of the songs except for You Are Not Alone (which was written and produced by R. Kelly, speaking of child sexual abuse allegations). This was Jackon's final #1 hit and if I recall correctly received decent radio airplay.

Personally, I think that Jackson's earlier work is far and away better than his later work. He became a big star for a reason: the earlier songs are excellent. I think he got away from that in his later work. This album highlights that change from the first half to the second. My recommendation is to skip the second half of this album.

I have never seen the animated movie Pocahontas, therefore the #2 album this week is particularly meaningless to me. There are some movie soundtracks that have one or two hit songs that make big radio airplay. I do not recognize any of the songs off this album.

I'll make it short and easy: I don't care about this album, and I don't think you should or will, either.

I believe that Pulse by Pink Floyd is the first double album I've reviewed so far. Despite having the high price of $34.99 (~$76 in 2025), it debuted at #1.

Pulse is a live album which I often have mixed feelings about. On the one hand, they can have different energy than a studio album, but they can also go awry with bad mixing or extended and aimless modifications to songs. This album is kind of neither of those. I don't think the energy of the songs is improved compared to the studio versions, and there aren't that many changes to the live songs. Pink Floyd was a Progressive Rock band which are known for their extended solos in live performances. This album lacks those for the most part, which I'm grateful for, but lacking changes to the songs removes the point of a live album.

According to the internet's brain, early versions of the CD album included a battery-powered flashing LED. A pulsing LED, one would say.

I don't think that this album amounts to much. If you like Pink Floyd, you might as well check it out, but I wouldn't cancel any other plans you have to listen to it.

It's been over a month since the last album review, but finally the slow summer of music in 1995 has delivered some new albums in the top 10. This week debuting at #3 is Poverty's Paradise by Naughty by Nature.

Like anyone alive in 1991, my first exposure to Naughty by Nature was their huge hit O.P.P.. The only song I am sure I have heard before off of Poverty's Paradise is Feel Me Flow, which does have a good flow, so I'm happy to feel it.

I don't think about Naughty by Nature much, and my play history confirms that. Before I listened to this album I had only 15 plays since 2018. Listening to this album has reminded me that I like Naughty by Nature's kind of hip-hop, and I should listen to them more when I am in the mood for hip-hop. This is an unusual thing, and is the best outcome of listening to music from 30 years ago.

My recommendation is to check out this album and remind yourself why O.P.P. was such a big hit.

The late spring/early summer of 1995 must have been a slow period in the music biz because the top ten albums didn't change all that much. Looking through the Billboard top album sales, I won't have a new album to review until June 16th.

In the meantime, it's never the wrong time to listen to some albums that are great but I haven't reviewed. For example, The Downward Spiral by Nine Inch Nails was released over a year ago at #2, but I didn't review it because it was eclipsed by Superunknown by Soundgarden at #1. The Downward Spiral quickly fell out of the top ten so I didn't formally review it. Briefly, it's a great album, go listen to it!

I'm not going to belabor this. This week's album at #2 is the soundtrack for the 1995 buddy comedy Friday. I have not seen the movie, but the consensus seems that it wasn't horrible. The soundtrack is nothing special. Apparently the track Keep Their Heads Ringin' was a hit although I don't remember it.

You can skip this album.

The only song I remember hearing off the #6 album this week is More Human Than Human. I don't think I've heard it in a long, long time. After listening to the entirety of Astro Creep: 2000 Songs Of Love, Destruction And Other Synthetic Delusions Of The Electric Head, I am not disappointed that my exposure to White Zombie has not been comprehensive. I did not like this album much and I can't recommend it.

When I saw the #6 album for this week, I said "I've never heard of John Michael Montgomery," but that's not true. Last year I reviewed All-4-One which included a cover of I Swear that was written and originally performed by John Michael Montgomery. I mentioned this in my review, but 10 months later his name did not remain embedded in my memory.

I Swear isn't on this eponymous album, but I Can Love You Like That is, which was also covered by All-4-One to great success. Playing this album I Can Love You Like That seemed familiar, but I'm not sure if it was the Country or R&B version I have heard before. All-4-One has many thanks to give John Michael Montgomery!

Outside of the All-4-One/John Michael Montgomery connection, I find nothing interesting about this album. It's not bad, but it's nothing special. The first line of the first song includes the words "I drive a pickup truck." This album was not trying to break new ground. If you're into this kind of Country music, I'm sure it delivers. I'm not, so it doesn't for me, and I can't recommend this album.

There were no new albums in the top ten last week, but this week another new hip-hop album debuts in the top ten, this time at #7. Return to the 36 Chambers: The Dirty Version by Ol' Dirty Bastard was his debut solo record. He was a member of Wu-Tang Clan from its founding until his death in 2004.

This review is basically a repeat of my last review. Like 2Pac, I was never into Ol' Dirty Bastard (nor Wu-Tang), and listening to this album hasn't changed my mind thirty years later. I acknowledge that Wu-Tang and Ol' Dirty Bastard are important to the history of hip-hop, and that alone means they're worth listening to at least once, but I'm just not into them.