I was going to accuse Kim Carnes of being a one-hit wonder with "Bette Davis Eyes" (which went to #1 on the charts, is the lead track of Mistaken Identity and the only song I had heard from this album previously), but I suspect that's because her main genre is Country, and I never listen to Country. She is apparently very prolific and is active even today as a producer with the popular act Kings of Leon.

But the fact that she's not a one hit wonder doesn't change the (other) fact that I generally found this album to be merely fine. Not at all terrible, but not interesting to me. To her credit she has an excellent singing voice, the music is not slipshod, and the lyrics are not nonsensical, but it just didn't appeal to me. My recommendation is to skip this album. However, if you do listen to it and you like it, I won't accuse you of having bad taste in music. Now, if you admit to liking Yoko Ono's music...

I am a fan of the BBC auto/entertainment show Top Gear. Often the three presenters, Jeremy Clarkson, James May, and Richard Hammond, will be given a humorous challenge which involves accomplishing some ridiculous set of goals with inappropriate vehicles. A couple examples are crossing the Channel in a car-to-boat conversion and "caravanning" in questionably designed and executed homemade car-to-RV conversions. As a bonus to these challenges, often a pair will work together to sabotage the third presenter's car in some humorous way. A favored method is to (permanently using glue) set the radio to loudly play music disliked by the target. In the case of James, it's anything contemporary, and for Richard, it's progressive rock.

Face Value by Phil Collins is solidly in the category of progressive rock, also known as "prog rock", and every time I listened to it I thought about Richard getting stuck listening to prog rock. There are some aspects I like about this album, most notably the lead track "In The Air Tonight", but the things I dislike the most about this album are actually what define prog rock and annoy Richard the most. Things like directionless piano solos and the over-use of synthesizers. It's those songs that made me feel, well, bored, and stuck listening to the music.

Overall, this album isn't anything special, and chances are you've heard the only good song enough times that you can safely skip this album.

It's really hard to write a review of an album while asleep. Because that's what Dad Loves His Work by James Taylor has done to me. It is a boring, pointless album. I actually like some of his earlier work from the 1970s, but this album is very uninspired.

Furthermore, what kind of musician needs welding glasses and gets his face dirty in the course of his work? The answer is, of course, an awesome one! I have trouble imagining what music that would require active welding might sound like, but chances are it would be more interesting than this easy listening drivel. I have listened to this album twice, and I hear no evidence of welding sounds. The cover is definitely false advertising.

Furthermore, again, I can't figure out what James Taylor's fatherhood has to do with anything on this album. It's hard to tell, like I said, because I'm asleep, but there are no songs about or to his children. The album could equivalently be titled "White Male Loves His Work" or "33 Year-Old Lennoxian Loves His Work". If he's implying by the cover and the title that he loves to weld, I'm just confused, and so his he.

Huzzah! With this review I've caught back up to my review schedule. In fact, the next review isn't due for a week and a half.

Interestingly, although this is the second AC/DC album I've reviewed as part of my 30 Years On project, Dirty Deeds Done Dirt Cheap in fact originally came out before Back in Black. This album was released in Austrailia in 1976, and only came to the `states in 1981, after the 1980 release of Back in Black.

I suspect that AC/DC was a major inspiration for the 1984 mockumentary (that I think is brilliant) This Is Spinal Tap. In fact, I think a straight line can be drawn from AC/DC's song "Big Balls" to Spinal Tap's "Big Bottom". If you enjoy Spinal Tap, you're likely to enjoy AC/DC and this album.

Most of what I said about Back in Black can also be applied to this album. AC/DC is fun band to listen to if you're in the right mood. However, because the songs on this album don't quite get the same airplay as those on Back in Black, this album is worth checking out at least once.

Here's a quick and simple review of Winelight by Grover Washington Jr.:

• Every time I listened to this album I felt over-dressed. No, I never listened to it wearing a tuxedo or a three-piece suit. I mean that wearing any clothes at all is being over-dressed for this album. It's that kind of album.
• It has only one song on it you've ever heard, Just the Two of Us, and likely only because you saw it in Austin Powers 2.

In summary, if you're naked, go ahead and listen to the album. Or, you can watch Austin Powers 2 and hear the only song on this album you care about, but see some funny stuff happen at the same time. What's funnier than little people?

Face Dances was the first album put out by The Who after the death of Keith Moon. I'm not familiar enough with The Who to know if that had an effect on this album. I'm guessing it probably did. The best I can say about this album is that the songs are all very "poppy" and the lyrics and melodies stick in your head very easily. But overall, it's a fairly unremarkable album and probably got on the top-10 due only to the strength of their previous albums. The fact that the band disbanded two years after this album came out is a good sign that they were already on the decline as a creative unit.

According to the Wikipedia page, the cover artwork was commissioned from various famous artists. Judging from the top and bottom rows, it looks like the artists were handed the same photos. The bottom row is the most disappointing - three of the frames are basically identical, and I'm guessing they filled in the fourth with random icons to break the monotony.

Edit: Anyone want to proffer a guess what the middle-row, left-column icon is?

My recommendation is that this album is not worth checking out.

The album Another Ticket by Eric Clapton is mostly a blues album with only a few rockish songs. That's pretty typical for Clapton. Curiously, the first 3 (of 5) minutes of the title track is instrumental, which is unusual for album title tracks in my opinion. The only hit single off this record is "I Can't Stand It". According to Wikipedia, this song sometimes gets played during interludes on Bill O'Reilly's radio show. I cannot confirm this, for obvious reasons, but I imagine that Bill does not use it for its original meaning of an ahem troublesome woman. He must want to share something in common with one of his heroes.

I generally like Clapton, and this is a decent album. The only legitimate knock on the album is its bright red cover.

Springtime in Boulder is a tumultuous time. Most evenings the clouds get blown down off the mountains and it rains, and a few times it's turned into snow overnight. The days are blustery and mild, but not what I would call warm just quite yet. The album Arc of a Diver by Steve Winwood does not fit well into my seasonal or geographical mood. If I were in Florida sipping a fruity drink on the beach, I think it would be more appropriate. It would help if I was older and fatter, too. I'm trying to say that if you are in the right place and frame of mind, this album could be quite pleasant. And sometimes pleasant is all you need.

I'm going to try to catch up completely this week.

Luckily for me, I will not draw the ire of any Canadians with this review. In fact, I already had the album Moving Pictures by Rush before this review because I like it. The songs are well made, a couple are catchy, and it's not too long. Go ahead and check out the album yourself!

I wasn't looking forward to Captured by Journey. I've already listened to two albums like this (1, 2) and I was thinking that this album would bore me. I have to admit that I wasn't bored completely by this album, which surprised me. This album is a live album, made up of recordings from several different performances. I think that the energy of the live performances makes the music less soporific, which is good.

If I have one complaint, it's that this album is a bit too long in duration. By the last few songs I was getting kind of tired of Journey. But it took until the end of the album to get there, so that's a small amount of praise. Nonetheless, this is an album you can skip.

I am way late on this review. Many weeks. In my defense, I did some traveling, and the gap that was only going to be 3 weeks just grew and grew. So in the interest of getting back on time, I'm going to do some quick, short reviews until I'm back in sync.

The album Celebrate! by Kool & the Gang has exactly one song you will ever hear: the title track "Celebration". And that's all you need to know. The rest of it is not very exciting.

I will remark that the second song on the album is about divorce. Either it's intentionally ironic to follow a song like Celebration with a song about divorce, or fantastically incongruous.

The album Paradise Theater by the band Styx does not include their song ["Mr. Roboto"][4]. For most of you, that is your signal to stop caring about this review and move on with your day. The brave, the steadfast, and the bored may continue on!

This album is not terribly dissimilar from last week's album, which is somewhat disappointing. I was not thrilled with REO Speedwagon, and this album isn't any different for me, if I'm honest. The most I can say about this album is about one song, which is the only one that made an impression on my brain. The song "She Cares" has the line: "she treats me like a human", which is such a vacuous (*) statement that it needs to be commented on. How else might "she" treat the singer of the song? Like a dog? A teacup? A 1953 Studebaker Commander Starliner? I can understand the need to rhyme in a rock song, but that line is insulting to either "she" or the singer, and definitely to the listener's intelligence.

My recommendation for this album is identical to last week's album: skip it, and if you must, just listen to bad radio and Styx will come on eventually. "Mr. Roboto" is kind of fun, so if they play that, consider yourself lucky. Note that the content of the top-10 albums list does not change for three weeks, which is how long it will be until my next review.

(*) I wanted to pick a good synonym for "stupid" to describe the line in the song, so I went to the Mac OS X system Dictionary application which includes a thesaurus. The entry on "stupid" synonyms has a bonus section apparently unique to this word titled "Choose The Right Word" that advises which synonym is appropriate for each situation, and how to avoid insulting someone unnecessarily. I think the next iteration of IBM's Watson should include the ability to scan an email for misuse of "stupid" synonyms. Think of all the marriages and friendships that might be preserved!

Named for a precursor of the pickup truck (the O stands for Olds, who also founded Oldsmobile), REO Speedwagon reached the zenith of their popularity in 1981 with the album Hi Infidelity.

If you do not know what REO Speedwagon sounds like, think of the band "Journey", and that will be close enough most of the time. One exception is the song "In Your Letter", which sounds like 1950's bubble-gum rock, and even includes backup female doo-wop singers. I have to admit that for one of the hits on the album, "Take It On The Run", I had previously only heard covers of the song. I think I like the covers better.

The main problem I have with this album is that it is the kind of music I hear played incessantly on the worst FM radio stations across the country. These are mostly owned by Clear Channel, including Jack FM, which I loathe. REO Speedwagon isn't awful music, it's just bland, and it gets played by radio stations that purport to have wide variety, but don't.

Therefore, my suggestion is to not listen to this album. If you need your dose of this music, there is almost certainly a Jack FM in your town, and REO Speedwagon will be played eventually.

The album Autoamerican by Blondie contains some good examples of popular musical styles in the beginning of the 1980's. It has disco ("Live it Up", "Do the Dark"), a rap song (!; "Rapture") that includes the often used line "hip, hop, and you don't stop", songs that sound like the B-52s ("Walk Like Me"), and a genuinely popular reggae/ska hit in "The Tide is High". It is not a boring album in the sense that there are some interesting musical choices in a (nearly) instrumental opening in "Europa" and a incongruous 30-second intro into "Angels on the Balcony".

An aside about the cover: I don't care to figure out which band member it was, but one of them was relegated to being depicted on the album cover as white pants, a black shirt, dark hair, and no facial characteristics. Sure, Blondie deserved to be up front, but if I were that last guy, I'd feel a bit insulted at being completely anonymized.

Because it isn't boring, and has the several of the contemporary musical styles represented, and the songs are generally entertaining, I think this album is a good one. So I will recommend to my readers that they check it out!

My next album review will be in two weeks because next week's top-10 chart has no albums that I have not already reviewed.

I am of two minds about Gaucho by Steely Dan. In one mind, I think the melodies are entertaining and high quality, combining Jazz, Funk, Rock and R&B. The instruments, drums, and lyrics are very tight, a result of the perfection demanded by the band. This forced the production of the album to take two years. In the other mind, I dislike the manner of the vocals. The vocalists, including a previous nemesis Michael McDonald in a backup role, do things that annoy me. Imagine Yogi Bear trying to sing, and that is what I hear in my head when I listen to this album. Unnecessary pitch bending and weird transitions from a nasal- to diaphragm-driven voice.

I am a few months into this project, and I am observing that nearly all of the music I've liked I had heard previously. I think that this is natural for a few reasons. First, I seek out music I like over music I dislike, meaning that the albums I've listened to that I disliked never entered my mind because they are in a genre I generally dislike. Of course, I couldn't have truly known I disliked them until I listened to them, but there is some personal selective effects going on. Second, and this is definitely inflating the value of my own opinions (so throw some salt over your shoulder), but it seems that music I dislike has proven itself over time to be less popular and inferior to music I do like. When was the last time you heard a Yoko Ono song on the radio? Or a Barbra Streisand song from Guilty? However, Bruce Springsteen is still making records and selling out arenas, and AC/DC is still selling records and getting airtime.

If you can get over the vocal style of this album, or indeed if you even like it, I would recommend this album for its melodies. However, that is a very qualified recommendation. Listen at your own risk.