This week (thirty years ago) one of the all time great albums hit #1 on the charts in its first week of sales. It would go on to sell over 10 million copies, making it one of the best selling albums of all time. And deservedly so. Mellon Collie and the Infinite Sadness by The Smashing Pumpkins is one of my favorite albums. According to last.fm, I have played a song off the album over 600 times.

I remember when the lead single off the album, Bullet with Butterfly Wings, hit the radio. Of course it's a banger, but what I remember thirty years later is mishearing the line "despite all my rage, I am still just a rat in a cage." I could make out the "despite all my rage" part, but I couldn't quite figure out the second half. I think I had some nonsense words there, but it's been so long since I learned the correct words that I've forgotten what I thought the words were!

Another single off the album, 1979, was cool because that's the year I was born. The song is about entering adolescence, and in 1995 I was in the throes of adolescence myself. A great coincidence!

All of the big singles off this album still get plenty of radio plays, but the whole album deserves to be listened to in its entirety. I did not find listening to this album another time for this project a chore or unpleasant. Indeed, it was a pleasure, and I look forward to listening to the album again and again for years to come. You should listen to the album today, and again and again.

Rising to #3, Design of a Decade 1986/1996 is a greatest-hits album of Janet Jackson.

When it comes to the music, I don't care about it. I've heard a few of the songs before, likely contemporaneously, and also since 1995. Janet Jackson had been a big star for years, so of course I've heard some of her music. It's solid pop music, I concede, but it's not for me.

What I find more interesting is the name of the album: Design of a Decade 1986/1996, what does that even mean? I do not believe that Janet Jackson planned (designed) a whole decade of music, recorded it, with the target of a greatest hits collection. Also, the title is factually wrong! The album was released in early October 1995, nearly three months before 1996 even started. 1986 to 1995 represents ten years (aka a decade, count it out). Putting 1996 in the title is both illegitimate and numerically incorrect. The only thing it has is alliteration, which isn't much (lots of words start with the same letter as other words). It's a stupid name. Stupid!

My verdict: This album can be left to the dustbin of history.

After last week's album, some Green Day is very welcomed. Coming off their smash hit Dookie, Insomniac was return to harder, less poppy punk music. Debuting at #2, it never reached #1 and didn't sell anywhere near as well as Dookie (although few albums do).

I don't know why but I haven't listened to Insomniac that much over the years. I do like punk music, and listening to it now it's in my wheelhouse of musical taste. I think I'll add it to my rotation and I'll try to revisit it more often. This is a win and why I do this project. I suggest that you check out Insomniac, too!

Sigh, it's another Mariah Carey album. I'm pretty sure this is the third Mariah Carey album I've done. This is gonna hurt.

Rocketing to #1 upon release, Daydream had three singles reach number one on the US Billboard Hot 100 list. Because of the popularity of the songs off this album, I certainly recall hearing them on the radio.

I don't miss hearing the songs as frequently on the radio, and I didn't appreciate hearing them again. I get that Mariah Carey is very popular and successful, but I will be happy to never review one of her albums again. It's not for me.

Ballbreaker by AC/DC debuted at #4 on the album sales chart.

There's nothing particularly special about this album. None of the songs are amazing, the lead track Hard as a Rock was the best performing single and only hit #33 in the US. That being said, none of the songs are terrible, which across a whole album is somewhat unusual. That's probably because the band had over 20 years of experience.

As far as it goes, the market agrees with me. Next week the album drops to #9, then #12, and so on. This is a common pattern with older, established acts on the charts. They sell well to start but there's no long tail of people discovering them keeping the album sales high.

If you're into AC/DC, check it out, but don't expect much.

Debuting at #4, All I Want is the second Tim McGraw album I've reviewed. I closed my previous review with the sentence "Finally, I will not be listening to this album again," and I have stuck to that promise.

In a very real sense, All I Want is really no different than Not A Moment Too Soon. The second line of the first song is "Finally own a car that doesn't break down on the freeway." He wasn't pushing any musical boundaries with this release. He had a formula that worked well 17 months prior, and he stuck to it. I'll begrudgingly admit that the biggest hit off the album, I Like It, I Love It, is good fun.

Overall, my opinion of this hasn't changed, and like before, I will not be listening to this album again.

It's been a while since I reviewed an album by any artist(s) I actually like, therefore reviewing a Red Hot Chili Peppers album is a big relief. As of this writing they are #8 in my rankings of listens by artist.

One Hot Minute (the #4 album this week) was released four years after RHCP's best album, Blood Sugar Sex Magik, which was always going to be a tough act to follow. One Hot Minute has never been my favorite RCHP album. It isn't bad at all, but compared to Blood Sugar Sex Magik it was always going to pale. Interestingly, the internet ranks One Hot Minute all over the place, from worst, to fourth, and spots in between. I'm not knowledgeable enough about the RHCP corpus of work to say where One Hot Minute fits.

There were a few decent hits off of the album, including Warped, My Friends, and Aeroplane, all of which I remember hearing contemporaneously on the radio, and sometimes still do on "classic rock" stations (a thought that makes me feel old!).

This album is probably worth your time, as are all RHCP albums.

I think there is only one song off of this week's #9 album by Silverchair that I've heard before. Tomorrow off of Frogstomp got a decent amount of airplay when it came out. The rest of the album seemed new to me, and my last.fm history pretty much confirms it.

Silverchair definitely rode the tails of the Grunge wave, and they did a good enough job of it to sell a couple million copies of Frogstomp. I don't think that I will increase my Silverchair consumption a great deal, but perhaps I'll think it more often when I'm in the mood for some Grunge. You might consider the same!

It's been a busy week, and I am five days late on this review. Luckily I don't have much to say about this week's #8 album. Apparently there were a couple hits off of Conspiracy by Junior M.A.F.I.A., but listening to the album didn't jog any memories. I am not disappointed because I didn't find the album terribly entertaining. I cannot endorse listening to this album, and I will never listen to it again.

There are two albums in the top 10 this week that I have not reviewed. At #4 is a compilation album The Show: The Soundtrack, and at #10 Games Rednecks Play by Jeff Foxworthy. I can find neither of them on any streaming service.

The Show was a documentary about hip-hop, and the album features on the order of 20 artists. Likely due to various byzantine licensing issues with so many artists, putting the soundtrack on a streaming service would be next to impossible.

Games Rednecks Play is a comedy album, and comedy has had many licensing issues with the online music streaming services. It's not surprising that I can't find it.

Because I want to review only popular albums from 30 years ago, I don't drop below the top ten. Therefore, I have nothing to review this week.

If you were alive in 1995, you heard the song Gangsta's Paradise everywhere. The popularity of this song propelled the soundtrack to the movie Dangerous Minds to #1. The song made Coolio's career, although playing Kwanzaa-bot on Futurama was pretty great, too. I'm fairly certain I have never seen the movie Dangerous Minds, but I have heard Gangsta's Paradise many, many times.

None of the other songs on the album amount to much. I guarantee that you would not recognize any of the non-Coolio artists on the album. Gin & Juice by DeVanté is far, far inferior to the Gin and Juice by Snoop Dogg you're thinking of. A Message For Your Mind by Rappin' 4-Tay samples I Want You Back by The Jackson 5 and completely misses the mark, somehow having none of the joyous energy of the original song. The final song (which I suspect was played during the closing credits), This Is The Life, is a non sequitur. It's a ballad by two white women who were part of Prince's The Revolution band. There's nothing wrong with being female, white, or working with Prince, but none of those things match anyone nor anything that came previously on the album.

In summary, the album is defined by and entirely worth the value of Gangsta's Paradise, and the rest is worth forgetting.

Finally, check out this episode of Last Week Tonight with John Oliver from a few weeks ago. It's about law enforcement gang databases, and a connection to Gangsta's Paradise comes out of left field.

Rising steadily in the charts, the #3 album this week will hit #1 in a few weeks. I'm not sure I have ever listened to the entirety of Jagged Little Pill by Alanis Morissette; certainly not since I started tracking plays on last.fm. I have, of course, heard all the big hits off the album, of which there are many. Jagged Little Pill was huge when it came out and You Oughta Know was everywhere on the radio in 1995 and 1996. The non-ironies in Ironic have been pointed out for decades. The album might have contributed to the English language. It's possible that the term "Friends with Benefits" originated in Head over Feet.

It's hard to form any new opinions about this album because the singles were so ubiquitous. They were earworms then, and they are earworms now. There's no harm in listening to the album, short of a Friends marathon, it's one of the best ways to transport yourself back to (or get a small taste of if you're too young) the mid-90s.

The #4 album this week is the solo debut of Raekwon, a founding member of Wu-Tang Clan. Like the last album I reviewed by a Wu-Tang Clan member, my summary is that while I recognize that Only Built 4 Cuban Linx... is an important and well-regarded rap album, it's not my preference. I will almost certainly never listen to it again.

I'm a few days late on this review. Oh well!

There's only one song off the #1 album this week worth listening to: 1st of Tha Month. It's one of the songs I play to wake up anyone who needs waking up. My last.fm play history has only one play after 10am, and it was when I listened to this album for 30 Years On. It's fun that even after 30 years the overall last.fm play history for the song shows a spike in plays at the beginning of each month:

My advice is to ignore the album, but 1st of Tha Month is forever.

Released four months after Selena's murder, Dreaming Of You shot to #1 upon release. I remember being aware of her murder from the news when it happened, but that really was the extent of my knowledge of her and her music.

The only interesting thing I can say about this album is that the single song I recognize is in Spanish, not English. It's Amor Prohibido, which originally appeared on her 1994 album of the same name, and therefore isn't really off this album.

I have no strong feelings about this album. I'll almost certainly never listen to it again.